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Yang and Hubbard both wrote for Parks and Recreation, and Hubbard for 30 Rock, so they know this territory, even if those shows tended to offer much bigger laughs than the gentle humor mostly on display here. But the shift is emblematic of an indecisiveness that underlines almost everything Loot tries to do. At times, Molly is an intentionally ridiculous caricature, at others deeply, vulnerably human.